This is a project by film maker turned photographer Tim Clements, the photos are copyright but Tim is a fan of HCA and has kindly let us share them with you.
This is Tim's explanation of the project
"I am making a series of 50 photographs celebrating independent Trades and Crafts People who make a living from their trade in London. As you can see in the Gallery, it is on going. I am photographing both the well known and the unknown. All involved have a passion for what they do and are very proud to make a living from what they do. But the fact they are all independent and often one-man-band businesses makes them vulnerable." Much more on his website.
The Tailor: Timothy Everest is holding a pair of shears made by Ernest Wright of Sheffield, held in front of a dummy made by Kennett & Lindsell of Essex. He is wearing a suit of Porter & Harding wool, cut by Annika Caswell, who you can see in the portrait below. Apprenticed to the legendary Tommy Nutter (tailor to The Beatles) Timothy prides himself on the quirky but traditional craft of his work that Tommy inspired. While the suit Timothy Everest’s customers leave with can only have come from his shop, the customer also leaves with the memory of a unique customer experience, for Everest is at the forefront of the be-spoke movement. The quality of a transaction is not something we give much thought to now. We seem resigned to elbow our way through crowds at large stores, accept indifferent service with an indifferent shrug, and we expect the sales person to know absolutely nothing about the product they are selling. Sometimes its only when we experience the opposite of this kind of transaction that we realise how negatively bad service actually affects us. www.timothyeverest.co.uk
The Saw Doctor: Bill is checking the set of the teeth on a third generation steel logging saw, handed down father to son. To his customer this saw is more than just a saw. It is not just something bought on a frustrating, forgettable day from B&Q. It is a memory of a father and a grandfather. A memory of large, grease etched hands, the sound of a laugh, the tune of a whistle. A direct, tangible link to the past. And taking the saw to Bill and having a chat is another moment added to the provenance of this saw. This saw is also “green”. The teeth on a mass production saw are specially hardened so, ironically, they last longer, but once they are blunt they can not be sharpened and the saw has to be thrown away. So it can not last as long as this old saw, whilst someone is here to sharpen it. Bill was taught by his father Peter in his workshop in Earlsfield and has been a Saw Doctor there for 30 years. Nobody is set to take his place www.austinmowers.com
"Independent crafts and trades people are a great barometer for both the cultural and economic health of a place and an excellent measure of its spirit. This project intends to remind us of the importance of independent trades and craft people today and in the future "
Tim is still looking for more London based craft businesses to photograph so if you know any suitable folk that could use a little publicity let Tim know, either via his website or contact HCA and we'll pass details on.